last night of the proms jerusalem 2020

Remarkably receiving its first performance at the Proms, the Impromptu for Strings was, like the Strauss heard earlier, written for violin and piano, but arranged a year later, in 1894, for string orchestra. Nicola Benedetti stepped in at the last minute to take over from Lisa Batiashvili who was unwell. The 2020 Proms season was drastically curtailed by the coronavirus epidemic, with the usual six-week season cut down to a fortnight of live shows, performed without an audience. The Last Night of the. BrittenThe National Anthem, Golda Schultz (soprano)Nicola Benedetti (violin), BBC Singers BBC Symphony Orchestra Dalia Stasevska, Reviewed: 12 September, 2020Venue: Royal Albert Hall, London. ... By okspud1 10 Mar 2020, 2:41pm 6 artists that blew our minds at Noise Pop Festival 2020 Fest.fm. Gentle pulsating chords in the lower strings formed a bed upon which the muted violins of the BBCSO gave a most tender performance. Last Night of the Proms 20:00 Sat 12 Sep 2020 Royal Albert Hall The Last Night of the Proms, featuring South-African soprano Golda Schultz with the … Genres Special Interest While the concerts won’t have their typical rowdy audiences, the music will be unforgettable. Then on to a final message of hope, ‘You’ll never walk alone’ from Rodgers & Hammerstein’s Carousel. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. Music never floats free of “real life”, no matter how much we sometimes wish it could. Royal Albert Hall/Radio 3/BBC1 Despite desperate cheeriness from assorted guests and committed performances from all musicians, this event is about more than the music, and 2020’s concert failed to reflect current times, Last modified on Mon 14 Sep 2020 04.36 BST. A ‘virus’ develops in the flutes and clarinets, growing throughout the orchestra until it takes over building to a climatic forte-fortissimo chord. Be the first to review this item 2020 TV-G. From the comfort of your living room, join the world’s biggest classical music party. Whether Errolyn Wallen’s take on Parry’s Jerusalem was supposed to be a replacement is not known, however, there is something immediately appealing in this reimagining of a well-known part of the Proms. More than 100,000 people have signed the MailOnline petition urging the BBC to reverse its censorship of Land of Hope and Glory and Rule Britannia at the Last Night of the Proms.. Until then, stay safe, cover your face and listen to great music. Last Night of the Proms 2020 Wolfang Amadeus Mozart (1756–91). The yearning solo violin line calling out over slow arpeggios... Andrea Tarrodi (born 1981). Last Night of the 2020 BBC Proms September 28, 2020 Nicola Benedetti performs with the BBC National Orchestra of Wales at the Royal Albert Hall during the 2017 Proms. 12 September 2020. This was a subdued ending to an altogether different Proms season. Not for the first time at a ‘Last night’ the music of Broadway composer Steven Sondheim, and in particular his 1973 musical “A Little Night Music” was heard. We got to hear Henry Wood’s joke at the end of the hornpipe (where he removes bars from the tune to beat the promenaders) but, without the racing, stamping and clapping that usually accompanies the last night performance, the joke falls a bit flat. This category only includes cookies that ensures basic functionalities and security features of the website. Blake’s poem dates from 1808 but the music was written by Sir Hubert Parry in 1916 and the orchestration is by Sir Edward Elgar. I would question the positioning of this piece lest we get ourselves into a spiral of self-pity. UPDATED! Last Night of the Proms: ‘Bluesy’ Jerusalem remake annoys traditionalists After a row over their lyrical content, drawing in Downing Street, Rule, Britannia! The BBCSO’s leader, Igor Yuzefovich played the part for solo violin. Chosen as the nation’s favourite piece of music in Radio 4’s Desert Island Discs poll, The Lark Ascending continues a theme having started life as a piece for piano and violin before being rescored for larger forces – here solo violin and chamber orchestra. Excellent! They were occasionally flashed on to our screens though hardly given a chance to speak. But, as others have pointed out, the Proms are 125 years old this year and the “last night” programme has changed constantly in that time, including a radically different lineup in 2001, days after the 9/11 attacks. BBC Symphony Orchestra, BBC Singers Sakari Oramo, conductor Sofi Jeannin, chorus director HANNAH […] Listen free to The Royal Philharmonic Orchestra – RPO Last Night Of The Proms (Knightsbride March, Nimrod and more). The Last Night of the Proms is not just another concert. OMG watching the last night of the proms, the first and last time I ever wish to hear Jerusalem sung like that.ð ¡ð ¡ð ¡ — rawilson (@rawilson1610) September 12, 2020 I hope for all our sakes a return to normality in 2021. As with the Stravinsky, slow oscillating chords follows; here, leading the music “out into wild nature, where we hear the birds sing…”. There were no promenaders to goad the conductor in the hornpipe, no horns, whistles and claxons to accompany the Saucy Arethusa and no balloons spiralling to the ceiling in Tom Bowling. The programme was simplified in other ways, too – mostly featuring … Anne Dudley)Richard RodgersCarousel – ‘You’ll never walk alone’Hubert ParryJerusalemArr. Sunday Times article reported that the BBC was considering scrapping Rule Britannia! was necessary to maintain the fabric of ‘the last night’– what tosh, the fabric of ‘the last night’ was torn apart in March 2020 when the lights went out in theatres and concert halls up and down the country. This year will be a little different, as the performance will not be held in front of an audience. Daring … Nicola Benedetti plays The Lark Ascending. close. This might have explained the apparent disconnect between soloist and orchestra. Complaints abounded prior to the last night; at how having a sung version of Jerusalem and Rule, Britannia! Rule, Britannia! With a few timing issues, this performance gave the impression that because the music is such standard repertoire, less rehearsal time was spared than was actually necessary. The Night Waltz, that becomes the overture continued without a break into ‘The Glamourous Life’ – possibly the second most well-known song after ‘Send in the Clowns’. Continuing the theme, Andrea Tarrodi’s Solus, receiving its world premiere, explicitly comments upon the shadow of COVID-19 and the times in which we currently find ourselves. These cookies do not store any personal information. This was a splendid arrangement by Ian Tracey with the BBC singers and Golda Schultz taking centre stage the first time around, then, when repeated, with the addition of the orchestra. 25 August 2020. It is inevitably political. The usual Pomp and Circumstance March followed by Jerusalem would, I feel, work better – especially when sung in the original Parry version for chorus and organ as it was here. From soprano Jamie Barton waving the gay pride flag on stage in 2019 to Proms founder Henry Wood thanking prommers and sponsors for their support in August 1941 after the bombing of the Proms’ original venue, the Last Night has consistently reacted to the changing world around it. A more appropriate song for the Proms in 2020 is one that is also a regular Last Nighter, William Blake’s Jerusalem. ‘Soaring’ … South African soprano Golda Schultz and conductor Dalia Stasevska. There was no Auld Lang Syne at the end; no clasping of hands; no hugging until we meet again; no tak’in a cup o’kindness. Posted by faithrootsdw 29th Aug 2020 28th Aug 2020 Posted in Church life, legalism Tags: Last Night of The Proms, Tradition The controversy about the Last Night of the Proms rumbles on. After Jerusalem’s first performance, Parry withdrew his support for the commissioning “Fight for Right” organisation, instead wishing it to become the Women Voters’ hymn, and later to become the hymn of the Women’s Institutes where it is sung to this day. And finally, to what has now become a tradition – the National Anthem in an arrangement by Benjamin Britten written for the Leeds Festival in 1961. However, there will be no live audience in the Royal Albert Hall to sing along, and the number of musicians and singers will be reduced and dispersed around the hall because of social distancing. Elgar’s celebratory march, in an arrangement by Anne Dudley for slimmed down forces that made the best of an impossible job, seemed neutered. The BBC singers were stood behind the conductor and sat a distance apart that made timing, especially in the male verse of Rule, Britannia!, difficult. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. A flag-waving audience join in the Last Night via Zoom. With 300 musicians reduced to just 65, a socially distanced audience viewing from the Royal Hospital in Chelsea, and the BBC Singers scattered about the stalls where, in times past, the seats would have been filled paying guests, this was always going to be a very different event. Join conductor Guy Noble, the WASO Chorus and special guests as we whip up a spectacular musical feast, complete with a cavalcade of classical hits and patriotic anthems. Wolfgang Amadeus MozartThe Marriage of Figaro (Overture)‘Deh vieni, non tardar’Richard StraussMorgen!Andrea TarrodiSolus (BBC commission: world premiere)Stephen SondheimA Little Night Music – Night Waltz – ‘The Glamorous Life’Jean SibeliusImpromptu for stringsRalph Vaughan WilliamsThe Lark AscendingErrollyn WallenJerusalem – Our clouded hills (BBC commission: world premiere)Henry WoodFantasia on British Sea-Songs, Edward ElgarPomp and Circumstance March No 1 in D major, ‘Land of Hope and Glory’ (arr. The opening alone is magical. And at a time when the music industry is under serious threat and institutional racism has dominated headlines, this Last Night was a missed opportunity to speak up, take responsibility and show much-needed leadership. and Land Of Hope And Glory. 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. The Last Night of the Proms will still have Jerusalem, the National Anthem and new orchestral versions of Rule, Britannia! By clicking “Accept”, you consent to the use of ALL the cookies. ‘Flags from Albania to Zimbabwe waving alongside the union jack and many in … CHRIS HASTINGS: On the night, the rousing strains of Rule, Britannia! Just before the traditional ‘whistle’ where the serious music ends and the fun begins, Vaughan Williams’s The Lark Ascending, written just before the start of the first world war, continued the mellow tone set by Sibelius immediately before. The current situation with COVID-19 means the Proms have been re-conceived in a different format, but with the same aim to fulfil founder-conductor Sir Henry Wood’s vision to ‘bring the greatest classical music to the widest possible audience’. We also use third-party cookies that help us analyze and understand how you use this website. echoed around an empty Royal Albert Hall after a battle that saw patriotism triumph over 'woke' political correctness. The arrangement is sublime and a fitting end to any Proms season, as it has been for some years now. Meanwhile violinist Nicola Benedetti’s performance of Vaughan Williams’s The Lark Ascending was both daring (her tone almost ghostly at times) and straightforwardly, overwhelmingly musical. ... in advance about her new version of Jerusalem, commissioned for this year's Last Night of the BBC Proms. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Here’s the schedule: Corrected September 17, 8pm First Night of the Proms! Failing to acknowledge music’s capacity to act – not only to bring together and to heal, but also potentially to do harm – is to undermine what makes it precious. 90.5 WUOL is hopping across the pond for a few of the 2020 BBC Proms! To the beginning of finale and the start of the end of the Proms 2020. From the very start of the programme through to the audience joining in with Elgar's Jerusalem, the National Anthem and Land … As magical as the opening is, there could be nothing that could have prepared us for the emotional yearning of Golda Schultz’s opening stanza – “Und morgen wird die Sonne wieder scheinen” (and tomorrow the sun will shine again). The Last Night of the Proms 2020 programme The Last Night of the Proms will take place on Saturday 12 September at The Royal Albert Hall and will be available on BBC Radio 3 and BBC One at 8PM. In the event, the offending words were sung by 18 members of the BBC Singers, their performance energetic if inevitably underwhelming in such a vast space. The Proms or BBC Proms, formally named the Henry Wood Promenade Concerts, is an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in central London.The Proms were founded in 1895, and are now organised and broadcast by the BBC.Each season consists of concerts in the Royal Albert Hall, … It’s an event all about its audience: its joyous, inflatable-toting, flag-waving, singing … Neatly covered with paper streamers, a single L-plate half-buried among them, it was an overconscientious attempt to reproduce the gently anarchic silliness of classical music’s most famous closing-night party. followed. The Last Night will also be performed to an empty hall – but broadcast as usual on BBC One and BBC Radio 3. Finnish conductor Dalia Stasevska stood upon a podium bedecked in multicoloured ribbons and an ‘L’ plate, no doubt, to draw attention to this being her first time. It was as if all the sadness and heartache of the recent months of pandemic were compressed into a single phrase of hope. It is mandatory to procure user consent prior to running these cookies on your website. These cookies will be stored in your browser only with your consent. The BBC Symphony Orchestra were on fine form, Stasevska’s conducting absolutely committed. The BBC Proms are about to embark on two weeks of live music-making at the Royal Albert Hall, although none of the concerts will be attended by a live audience. Other musical voices had more impact and more to say. On 23 August, a Sunday Times article reported that the BBC was considering scrapping Rule Britannia! The BBC capitulated and tonight was the culmination of a truncated season of sixteen live events – some magnificent – at the end of a period that we probably will all wish to forget as soon as possible. followed by Elgar’s Pomp and Circumstance March, the latter started too fast before Stasevska put on the breaks, worked less well than earlier pieces this evening. In a video interview broadcast just before the performance, Tarrodi, from her home in Stockholm, explained how the piece starts with a dark tremolo on the timpani and in the lower strings. 34 years ago Barbie got us tickets (difficult – it get’s into a ballot). But even such desperate cheeriness couldn’t entirely distract from the cloud that had been hanging over the event for weeks. This year they were entirely absent. You'll Never Walk Alone at the Last Night of the Proms. Keeping to what has become a last-night tradition of including pieces from around the British Isles, we heard a lone piper from Dundee, a folk singer and string group from Tenby and an Irish jig from Belfast. Read about Jerusalem by Last Night Of The Proms and see the artwork, lyrics and similar artists. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. As the concert wore on, Garrett swayed ever more manically underneath a union jack umbrella. The Last Night of the Proms … Mon 31 Aug 2020 12.16 EDT 23.28 EDT The Last Night of the Proms, at the Royal Albert Hall, London. Here I was reminded of the ‘Dance of the Earth’ at the end of the first part of Stravinsky’s Rite of Spring – whether this was a deliberate reference by the composer I don’t know, but it is convincing and, in the light of the music’s theme, quite appropriate. close. As always the concert comes to an unmissable end with the traditional ‘Last Night of the Proms’ sing-a-long including Jerusalem … Certainly, watching it on TV, the Last Night felt like a party to which no one had turned up, its organisers trying extra hard to make it “fun”. A tender, lilting waltz that was sensitively sung and accompanied in equal measure and the first of two consecutive pieces to be sung by Schultz – the second, Strauss’s Morgen! Conductor Dalia Stasevska appears with soprano Golda Schultz, violinist Lisa Batiashvili, the BBC Symphony Orchestra and the BBC Singers The camera work was just as hyperactive, cutting incessantly between close-ups of performers and dizzying lurches across the stage. The programme for the 2020 Proms, broadcast live from the Royal Albert Hall, is here. Read about Jerusalem by Last Night Of The Proms and see the artwork, lyrics and similar artists. 0:51. and Land of Hope and Glory. Dalia Stasevska is married to the Finnish musician Lauri Porra who is the great-grandson of Jean Sibelius, so it would have been questionable programming to omit the Finnish composer from this last-night programme. From Twelfth Night to Downton Abbey, goings-on in grand households upstairs and... Richard Strauss (1864–1949). The Last Night of the Proms is not just another concert. Perhaps the BBC were right in their original decision to reconceive the last night for the forces that they actually had at their disposal. It’s an event all about its audience: its joyous, inflatable-toting, flag-waving, singing-and-knee-bobbing crowd of prommers, who whistle, whoop and drink their way through the evening. Once again, though: the Last Night has rarely been about the music. Written as one of four songs, Opus 27, and a wedding present for his wife Pauline to words by John Henry Mackay, Strauss’s original for violin and piano, here was presented in the composer’s small orchestra arrangement of three-year’s later. Last Night of the Proms Season 1. Ever versatile Golda Schultz sings Parry’s melody and more besides. Composer Errolyn Wallen has loved this hymn since childhood, in particular in Elgar’s arrangement (self-evident from the second verse) however she has needed to reconceive this piece in smaller terms; “I don’t have a tuba, a bass trombone or a bass drum…but I do have the organ” she says. and Land of Hope and Glory because “organisers fear a backlash because of their perceived association with colonialism and slavery”, sparking several days of furious “debate”. Our 2021 Season is planned to be delivered in Phase 5 or 6 of the Western Australian Government’s easing of COVID-19 restrictions. The Fantasia on British Sea-Songs (using bass-clarinet rather than euphonium) was quite different. he decorations on the conductor’s podium weren’t promising. December 17, 2020. And it is wonderful for the outsider to observe in what good-natured nationalist manor Brits can celebrate – not a hint of chauvinism!! was necessary to maintain the fabric of ‘the last night’– what tosh, the fabric of ‘the last night’ was torn apart in March 2020 when the lights went out in … Neatly covered with paper streamers, a single L-plate half-buried among them, it was an overconscientious attempt to reproduce the gently anarchic silliness of classical music’s most famous closing-night party. Share. All good things in themselves, and probably in keeping with Sir Henry’s music for the masses. You also have the option to opt-out of these cookies. Share. Apparently, Jerusalem, the National Anthem and a version of You’ll Never Walk Alone will be sung by choirs. Last Night of the 2020 BBC Proms; the third of three Proms concerts on SymphonyCast. But opting out of some of these cookies may have an effect on your browsing experience. If you have not had the chance to fully experience this amazing spectacular event then make sure you do so in 2020. This website uses cookies to improve your experience while you navigate through the website. The decorations on the conductor’s podium weren’t promising. Another world premiere, Solus by Swedish composer Andrea Tarrodi was all pulsating dark sonorities, the chilling sound of detuned timpani and string agitation worthy of a Hitchcock soundtrack – about as comforting as a bloodthirsty episode of Nordic noir, but it felt like an honest response to the times. As always the concert comes to an unmissable end with the traditional ‘Last Night of the Proms’ sing-a-long including Jerusalem and Rule, Britannia. By the time we were spun around as the Hornpipe from Henry Wood’s Fantasia on British Sea Songs accelerated, I felt distinctly nauseous. Meanwhile conductor Dalia Stasevska – the second woman to conduct the Last Night – received death threats after she was said to believe it was time “to bring change” as the anti-racism movement has gathered pace this year. Here we saw just how talented and versatile Golda Schultz is – singing with a swagger and an east-coast accent that was spot on. Presenter Katie Derham was joined not only by actor Adjoa Andoh and Rev Richard Coles (both warm, articulate commentators), but also via video by four other guests – comedian Mel Giedroyc, singer Lesley Garrett, jazz musician Jacob Collier (and his mum) and David James, an ex-footballer who used to play the cello. Immediately after, Susanna’s aria from the same opera’s final act was performed by the first of tonight’s two soloists – South African soprano Golda Schultz. Mid September is then the event of the Last-Night-of-the Proms – these days broadcast all over the world. Though this may be her first visit to the Last Night podium, she is no rookie as a brightly vigorous overture from Mozart’s Marriage of Figaro ensued. The programme was hurriedly confirmed – those items still featured but in their original instrumental versions rather than sung – before the culture secretary and then prime minister himself waded in, joining those baying for the upholding of “tradition”. 17 tracks (55:23). Friday 28 August – Saturday 12 September. In Errollyn Wallen’s newly commissioned version of Parry’s Jerusalem, South African soprano Golda Schultz soared over an orchestra pulling riotously in different directions, the familiar hymn tune coming in and out of focus. Complaints abounded prior to the last night; at how having a sung version of Jerusalem and Rule, Britannia! Necessary cookies are absolutely essential for the website to function properly. Leader Igor Yuzefovich and principal flute Daniel Pailthorpe did up the ante in some skilfully ornamented solos, but it wasn’t quite the same.

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